Interesante entrevista a Yngwie Malmsteen en la que comenta las especificaciones de sus guitarras

PRS Brent Mason

SPECIFICATIONS:
Fuente:http://www.prsguitars.com/privatestockbrentmason/

20th Anniversary 1959 Les Paul Standard Reissue

Fuente:http://www.lespaulforum.com/forum/showthread.php?187150-AMAZING-Custom-shop-s-20th-LP59-painted-by-Tom-Murphy

AMAZING Custom shop's 20th LP59 painted by Tom Murphy

Gráficos de Acordes Mayores, menores y 7 dom.

Gráficos de Acordes Mayores

 
 La estructura interválica de un Acorde mayor es :    T      3M    5J 
    
Es decir, se compone por un intervalo de tercera mayor (2 tonos) mas un intervalo      
de tercera menor (1 tono y medio).

Gráficos de la Escala pentatónica menor

Enlaces de Escalas en tres notas por cuerda

Existen una gran cantidad de variables en lo que respecta a los enlaces de manera longitudinal con las escalas, en este ejemplo utilizamos el concepto de 3 notas por cuerda en la tonalidad de La menor.
Es fundamental para las combinaciones que exigen una importante amplitud al digitar, realizar ejercicios previos de calentamiento.

Tommy Emmanuel Lesson: How to Fingerpick Like Chet Atkins — Video

Posted 11/09/2015 by Guitar World Staff

Hello everyone, and welcome to my new Guitar World instructional column.

Over the course of the next few months, I will demonstrate a wide variety of the specific right- and left-hand techniques I use most often, as applied to the songs from my latest release, It’s Never Too Late, plus some of the other tunes in my repertoire that I am asked about most often.

I’d like to kick things off with a look at my approach to the song, “El Vaquero,” written by the great Chet Atkins and Wayne Moss, which I recorded for It’s Never Too Late. A vaquero is a cowboy, and, as the name implies, this song has a “western” feel, with a Spanish/Mexican flavor.

I first heard this song as recorded by Chet for his Hometown Guitar album, on which Wayne played the rhythm guitar part and Chet added the melody, or lead, part on top, along the lines of FIGURES 1 and 2. To execute the rhythm part properly, use the standard Merle Travis fingerpicking technique, wherein the notes on the bottom three strings are picked with the thumb, with light palm muting, in an “alternating bass” fashion, and the notes on the top three strings are picked with the index and middle fingers.