domingo, 12 de junio de 2016
jueves, 9 de junio de 2016
miércoles, 18 de mayo de 2016
20th Anniversary 1959 Les Paul Standard Reissue
Fuente:http://www.lespaulforum.com/forum/showthread.php?187150-AMAZING-Custom-shop-s-20th-LP59-painted-by-Tom-Murphy
AMAZING Custom shop's 20th LP59 painted by Tom Murphy
domingo, 24 de abril de 2016
jueves, 21 de abril de 2016
jueves, 14 de abril de 2016
martes, 12 de abril de 2016
Enlaces de Escalas en tres notas por cuerda
Existen una gran cantidad de variables en lo que respecta a los enlaces de manera longitudinal con las escalas, en este ejemplo utilizamos el concepto de 3 notas por cuerda en la tonalidad de La menor.
Es fundamental para las combinaciones que exigen una importante amplitud al digitar, realizar ejercicios previos de calentamiento.
Es fundamental para las combinaciones que exigen una importante amplitud al digitar, realizar ejercicios previos de calentamiento.
sábado, 26 de marzo de 2016
Tommy Emmanuel Lesson: How to Fingerpick Like Chet Atkins — Video
Posted 11/09/2015 by Guitar World Staff
Hello everyone, and welcome to my new Guitar World instructional column.
Over the course of the next few months, I will demonstrate a wide variety of the specific right- and left-hand techniques I use most often, as applied to the songs from my latest release, It’s Never Too Late, plus some of the other tunes in my repertoire that I am asked about most often.
I’d like to kick things off with a look at my approach to the song, “El Vaquero,” written by the great Chet Atkins and Wayne Moss, which I recorded for It’s Never Too Late. A vaquero is a cowboy, and, as the name implies, this song has a “western” feel, with a Spanish/Mexican flavor.
I first heard this song as recorded by Chet for his Hometown Guitar album, on which Wayne played the rhythm guitar part and Chet added the melody, or lead, part on top, along the lines of FIGURES 1 and 2. To execute the rhythm part properly, use the standard Merle Travis fingerpicking technique, wherein the notes on the bottom three strings are picked with the thumb, with light palm muting, in an “alternating bass” fashion, and the notes on the top three strings are picked with the index and middle fingers.
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